Can’t believe his gig was almost two years ago. One of a scarse amount that actually do some things to you…
Light Echos is a project about time, space, light and data, created by Aaron Koblin, founder of Google’s Data Arts Team, and Tool‘s interactive director Ben Tricklebank.
The visitors to the Curve entered a dark environment and were led through the Curve by shifting words mapped onto the gallery floor, line by line, frame by frame, as though moving in space. The journey of visitors was also tracked and further revealed at the end as abstractions.
The dying refugees . Every soul is a key to a better world..
“Dial Tone Operator” (excerpt ) was a binaural sound sculpture exhibited among other “Mirrorcity” works at Hayward Gallery in London. One which left my imagination activated.
It comprised a display of vintage telephone handsets on a wall at the end of a narrow intimate corridor with just one pair of headphones hanging from a ceiling. To put them on was to tune into a passing frequency just like a Telephone Operator. Aura Satz mixed vintage recordings of telephone sounds with a dial tone, spoken word and electric hun, which also bring to mind all sorts of frequencies that pass through us, whether we are able of picking them up consciously or not.
More information can be found here http://www.iamanagram.com/DialToneOperator.php
[On a side note she also put up a “sister” display called “Dial Tone Drone” outside The Royal Academy in London, outside Picadilly, commissioned by Measure. http://measure.org.uk/exhibitions/telephone/]
“Glissolalia” (excerpt )played on the acoustic illusion known as the Shepard Scale, a ‘sonic barber’s pole’ (or endless spiral) in which a tone continually rises or falls yet at the same time appears to get no higher or lower. I followed the “exhibition continuous” sign and went down a spiral staircase which soon I discovered led to nowhere. It however tempted the visitor to stay and walk up and down to a very subtle background sound coming out from a very small speakers fitted on the hand-rails. It was composed in collaboration with a musician Aleks Kolkowski. Here is how the piece was described ”
The score starting point is a series of vintage test-tone recordings. These are layered with two other non-human instruments suggestive of vocal quantities – a musical saw and a theremin- and a female Barbershop quartet in which the singing produces overtones that seem to take the human voice beyond itself. The sound layout has been composed as an acoustic spiral, reconfigured to fit the Hayward’s one-way corkscrew staircase. This leads down to the fire-exit, and out into the street.”
“Mirrorcity” theme explores fiction and reality and shows recent works of artists based in London today. Haven’t managed to see all the works before the gallery closed, 2 hours is not enough and the tickets are sadly not transferable to another day.
by Patrick O’Neil
Unofficial Music Video:
Listening to the King of Limbs remix album and I started running an old security camera out of the tv and back into it to create video feedback.
A low key event with good acoustics and amazing hidden visuals/lighting play if you looked up to the the ceiling. Spotted them when I lied back flat on the floor. People circled around the stage which was located just below the Roundhouse dome trying to catch a glimpse of the artists. Initially I tried to sit on some elevated platform but was moved by the security. Sometimes it’s good to be right at the back behind the crowd with the vision of the musicians obstructed it turns out. Big thanks to the lighting guys, made the sonic experience hypnotising and truly unique. Captured with a crap mobile camera so it doesn’t make the show justice of course.
Animation and Edit: Sally Sibbet
Design: Dominic Flannigan & Lionel Skerratt