The Barbican – Richard Mosse Interview from Christie on Vimeo.
I was struck by the visual effect of a military thermal camera used in this video installation by an Irish artist Richard Mosse and cinematographer Trevor Tweeten. It anonimised and dehumanised the victims of Syrian crisis even further, stripping them of their individuality, presenting them as bodies and numbers in cold monochrome. Yet it also brought their aliveness out in an incomparable way. Sensitive to heat, this heavy-weight camera accentuates or invades the spirit of life and conflict more than any other technique could. Shots taken from great distances let us, the Western Audience, surveil the movements of people and events unfolding on the shores thousands of kilometers away from us.
“Ai Wei Wei became widely known in Britain after his sunflower seeds installation in Tate Modern’s Turbine Hall in 2010. This was the first major institutional survey of his work ever held in the UK and bridged over two decades in his extraordinary career. Curated in collaboration with Ai Weiwei from his studio in Beijing, the RA presented some of his most important works from the time he returned to China from the US in 1993 right up to the present day. Among new works created specifically for the RA, there was a number of large scale installations, as well as works showcasing everything from marble to steel to tea ans glass. With typical boldness, the chosen works explored a multitude of challenging themes, drawing on his own experience to comment on creative freedom, censorship and human rights, as well as examining contemporary Chinese art and society.”
more on https://www.royalacademy.org.uk/articles/tag/ai-weiwei
Ai Wewei instagram https://www.instagram.com/aiww/?hl=en
“Tate Modern premieres an important new body of work by the American artist Taryn Simon. A Living Man Declared Dead and Other Chapters was produced over a four-year period (2008-11), during which Simon travelled around the world researching and recording bloodlines and their related stories. In each of the eighteen ‘chapters’ that make up the work, the external forces of territory, power, circumstance or religion collide with the internal forces of psychological and physical inheritance. Read More